Friday, 11 May 2012

Remember when people used to talk to each other?


The Daily Mail - By ROGER LEWIS


Read more: http://www.dailymail.co.uk/home/books/article-2142494/Remember-people-used-talk-iDISORDER-UNDERSTANDING-OUR-OBSESSION-WITH-TECHNOLOGY-AND-OVERCOMING-ITS-HOLD-ON-US-BY-LARRY-ROSEN-WITH-NANCY-CHEEVER-AND-L-MARK-CARRIER.html#ixzz1uXuY0XOA


Luckily, I am very stupid when it comes to anything vaguely scientific or technological. Anything more complicated than an ‘on’ or ‘off’ switch - forget it. I can’t set the video recorder, have never sent or received a text, and I treat a computer as a glorified typewriter.
I am the last person left alive in the entire world to use a fountain pen and Waterman’s brown ink. I’m keeping the Royal Mail going all on my own.
I say ‘luckily’, above, because the rest of you are going mad. I know this because Professor Larry Rosen, Chair of Psychology at California State University, says so in his fascinating and troubling new book. People have now become so dependent on their BlackBerrys, iPads, smartphones, and suchlike gadgets, if they are parted from their apparatus, if they can’t check e-mails every ten seconds or scan the internet’s 30 billion images, they experience ‘chest pain, heart palpitations, shortness of breath, or dizziness’.
Good, is my reaction to that news. Drop dead, you dopey lot. I think my chief objection to the prevalence of Facebook, Twitter, blogs, Flickr [sic], and other ‘social networks’ is how anti-social they are - how rude they have made people become. Whatever happened to manners?
Those were the days: A family mealtime without interruption
Those were the days: A family mealtime without interruption
Just last week, in the Garrick Club of all hallowed places, I saw a woman ‘checking in with the babysitter’ every few minutes. I wanted to blow my top. What was she anxious about? Burglars? Or was it that my company was so totally boring, she recoursed to the equivalent of getting out a pack of cards and playing Patience on the tabletop?
But you see this all the time – people who don’t talk, they text. Frantically. In the street, on railway station platforms, going up and down escalators, sitting in the dark in cinemas. They get furious if they are interrupted, too. Families sit around pressing their little keypads, like chimps prodding ants with sticks. ‘Regardless of where they are or who they are with’, says Rosen, on trains or in supermarkets, blocking the aisles, you hear complete strangers bellowing into their mobiles about their private affairs, arrogantly oblivious to the fact that they might be bothering the rest of us.
Einstein said, ‘It has become appallingly obvious that our technology has exceeded our humanity’. He was referring to the atom bomb, but the same goes for a Pay-As-You-Go mobile phone with instant internet access. According to Rosen, people have become so dominated by their gadgets, they are ‘engaging in obsessive compulsive behaviours’.
They ignore others in the vicinity, forget they are in restaurants or church or lectures, and feel ‘anger and hostility’ if disconnected from their electronic lifelines. Marriages are crumbling because even on holiday husbands keep plugged into the office. In America, 448,000 road accidents occurred in 2009 because drivers were busy sending and receiving texts - and the average manic American young person sends and receives 6,359 a month. To use a mobile while driving slows down reaction times to such an extent, the blood stream might as well be full of booze.
Computer technology always was attractive to nerdy sorts who are bad at socialising. The trouble is, lots of other people have discovered that they prefer going out by, in effect, staying in, avoiding ‘real-life friends’, as Rosen calls them, and becoming ‘net bingers’, spending up to 20 hours at a stretch exchanging messages and gossip and drivel.

IF YOU LIKE THIS WHY NOT TRY...

The Winter Of Our Disconnect by Susan Maushart
THE WINTER OF OUR DISCONNECT BY SUSAN MAUSHART (Profile, £11.99)
What happened when one mother pulled the plug on technology and how her family lived to tell the tale.

Steve Jobs
STEVE JOBS: THE EXCLUSIVE BIOGRAPHY BY WALTER ISAACSON(Little Brown, £25)

Unexpectedly fascinating life story of the man who started it all with the invention of the Apple Mac computer in 1984.
As a consequence, there is currently an epidemic of antisocial personality disorders, social phobias, autism and Asperger’s Syndrome. The psychiatric wards are filling up with patients with ‘delusional thoughts and hallucinations, disorganised behaviour and speech’. Children are arriving at school already mad - they cannot interact, they’ve only ever been shoved before a flat-screen television and force-fed turkey twizzlers, and they can’t cope with ‘cues that we use during face-to-face communication, including gestures, facial expressions and voice-tone’.
The manic pace, the flickering of images and information, means there is an entire generation suffering from attention deficit hyperactivity disorder (ADHD). Tissue analysis has shown that brain circuitry is altering – chemicals such as dopamine and serotonin are at a level similar to that in addicts ‘involved in substance abuse’.
The new technology brings out the worst in people. People who’d normally be nice find themselves becoming strangely aggressive and malicious, firing off ‘escalating nasty posts’, like the pent-up authors of poison-pen letters in an Agatha Christie story. They can do this because the system is anonymous. The individuals they pillory ‘don’t know you and can’t find you behind your clever-user name’.
The technical word is disinhibition – people expressing opinions ‘in ways they would not do in person’, and in their right minds.
Anonymity appeals to idiots who have a ‘grandiose sense of self-importance’, according to Rosen, people who are haughty, and very sad. Having a huge Twitter following, for example, or scattering opinions on blogs, is ‘a draw that is extremely strong for the narcissist’.
Instant news: Prime Minister David Cameron texting
Instant news: Prime Minister David Cameron texting
Adolescents, in particular, relish the power of Facebook, and taunt and bully each other, sometimes resulting in suicide. Rosen and his colleagues do their best to ward against ‘the dangerous impact words  can have as people socialise online’, but what can be done? How can you suggest people have a go at day-dreaming instead, or read a book or pick up a newspaper and do things that ‘involves turning off your devices’?
Even in universities, students don’t want rubbishy old-fashioned books made of paper and ink. They want lectures that involve ‘YouTube videos and a multi-user virtual environment such as an interactive, immersive online role-playing game’. I’d give a lot to see my old tutor John Bayley’s reaction to much of that. He thought a Xerox machine was the invention of Satan.
When people wax lyrical about 3-D films, what I suggest is that they try going to see a flesh-and-blood show at the theatre – yes, that really is David Suchet up there, not a hologram! – or go to Zippo’s Circus, where the galloping horses look real because – Jumping Jesus! – they actually are real.
It is hard to believe, except it isn’t, that Rosen himself is having to organise therapy sessions in California to teach patients ‘to put a priority on human contact over electronic contact wherever possible’. One method is to introduce families to the idea of communal meals – ‘Each family member must know that all technology must stop and time is set aside for dinner and talk’. Otherwise it is like we are dead already, floating in solitude and touching each other only as apparitions.
The landlord of The Thorn, in my eccentric hometown of Bromyard, has the best method, more effective than all these clever Californian PhDs put together.
Whip out a mobile in his saloon bar and he’ll grab it and toss it under the lawnmower.


Read more: http://www.dailymail.co.uk/home/books/article-2142494/Remember-people-used-talk-iDISORDER-UNDERSTANDING-OUR-OBSESSION-WITH-TECHNOLOGY-AND-OVERCOMING-ITS-HOLD-ON-US-BY-LARRY-ROSEN-WITH-NANCY-CHEEVER-AND-L-MARK-CARRIER.html#ixzz1uXuSUcpP

Thursday, 10 May 2012

10 Reasons to Use a Typewriter


Beverly Woods - 2002.04.01 - Tip Jar

http://lowendmac.com/woods/02/0401.html

I've been thinking about this for a while now, and I've come to the conclusion that Macs are contributing to the moral decay of America.
This nation was founded on the Protestant work ethic. (No, that's not the one where you protest that you have to work.) The idea is that virtuous effort - work - improves your moral character. Having fun should be reserved for a reward after hard work.
Therefore it follows that computers that are used to produce one's work should be appropriately arduous to deal with. If you are having fun, you are not working! You are not improving your moral character! And Mr. Calvin would be very disappointed in you if he hadn't passed on centuries ago.
Macs are too much fun to be good for you to use. I therefore present:

10 reasons to use a typewriter

  1. No automatic spell checking to interfere with your creativity.
  2. Improve your mental skills: Being able to alter work too easily makes you lazy.
  3. The louder typewriter keyboard improves office productivity by keeping coworkers from drifting off to sleep.
  4. Get in touch with your inner typist, doing things the good old way your ancestors did them.
  5. No tiresome screen to look at.
  6. The finished product must be physically transported to its destination, providing jobs for messengers and postal employees.
  7. How else are you going to use up the carbon paper in that bottom drawer?
  8. You do not have to buy more RAM or a bigger hard drive for the typewriter.
  9. Tech support, when needed, is generally simpler.
  10. The ailing Wite-Out industry will thank you.
Benchmark tests of relative character building effects will be available as soon as we figure out how to measure them. Meantime, typewriters have a very straightforward operating system, and any problem can be credibly blamed on the user.
With so many benefits, I'm sure this is the wave of the future.

The Helpful Uses For The Seemingly Obsolete Typewriter


(http://www.articlegarden.com/Article/The-Helpful-Uses-For-The-Seemingly-Obsolete-Typewriter/8916) 
Article garden - Sustainable living articles - By Gray Rollins

In our high tech world with computers on every desktop, laptops, palm pilots, cellular phones, the day of the typewriter seems to have come and gone. So is there still any use for the typewriter?

You might think the typewriter is the office dinosaur of the 21st century. In fact, if you ask some of the youngest and brightest upcoming students you might be surprised to discover some of them don't even know what a typewriter is. Not surprising in our modern world. But like all old dinosaurs there's got to be some uses for all those old typewriters. And there is.

Let's start with the using them. Even in our high tech world there are plenty of uses for typewriters. There are some office tasks that can be completed much quicker, more effectively, and with a lot less hassle using a typewriter than with a computer.

There are many situations in the work environment where all you need is a single label, or you just need to print one envelope but with a computer this can be a real hassle. By the time you open up the software package, configure everything just to print a single label, and then discover your computer printer isn't capable of printing individual labels you'll quickly see why the typewriter is the easiest way to quickly accomplish this task.

With the typewriter you simply place the label or envelope on the roller, load it, type your address or message, and remove it from the typewriter. It's that easy!

And because typewriters are compact and require no additional equipment like monitors, they don't require big desks, or lots of space. You can set up a typewriter on a small typewriter stand which also gives you the convenience of being able to move it around easily.

Besides use in the office, typewriters have become very collectable. From the old to the new there are collectors around the world building interesting collections. Some of the oldest models can actually attract a nice sum of money. So if you've got an interest in the history of office equipment, why not consider starting a typewriter collection.

Is there still a use for the typewriter? Absolutely! Don't write the typewriter off as an extinct piece of office equipment. It still is a valuable asset in any office and it helps keep simple tasks simple and non time-consuming.

CURRENT USES AND MARKETING OF THE TYPEWRITER



  • (http://typewriters.pbworks.com/w/page/22569468/current%20uses%20and%20marketing%20of%20the%20typewriter) last edited 5 years ago by PBworks

  • Even though it may not be widespread, professional offices can use typewriters for addressing envelopes, filling out forms, and writing letters.
  • Typewriters have some artistic appeal, such as Paul Auster and Sam Messer's "The Story of My Typewriter".


  • Auster and Messer are not the only artists to use typewriters in their work. In 2001, Kevin O'Callaghan and a group of students from the New Yorks School of Visual Arts produced a series of art works using obsolete typewriters to create "The next best... ding!" (from Typewriter Museum)

The Boston Typewriter Orchestra
The “Boston Typewriter Orchestra (BTO)” is a group of six young people who perform at various functions in the Boston area using old manual typewriters as musical instruments. Typewriters, in case you wondered, cannot actually play melodies, only percussion. The orchestra performs well-known pieces such as “Happy Birthday” and “Jingle Bells,” but it also plays original pieces such as “QWERTY Waltz.” In fact, the group has recently recorded and released their first CD, "The Revolution Will Be Typewritten".

To hear how a typewriter ensemble sounds, click on these links.
In September of 2006, the group was featured on the Fox and Friends morning show. It really would be worth your time to watch this short You Tube Video of the Boston Typewriter Orchestra’s television debut.

  • According to officetronics.com, an office supplies online store, "Today in developed countries, typewriters are often used for offices that require typing applications for which a computer would not be practical. Typewriters are very popular amongst writers and in less developed countries." This particular store sells many brands of typewriters, including Smith-Corona, Brother, IBM, and Lexmark, but many are "re-conditioned."


  • Popular business stores such as STAPLES sell typewriters, although they may range upwards of $300 and often have advanced capabilities, such as text display and spell check.

Staples Typewriters:Staples


  • Joyce Brittingham, who is the senior product manager for Brother, a Japanese electronics company, said Americans buy about 500,000 typewriters a year from her company, all of which are electric.

  • Rival company Royal produces manual typewriters for Third World countries where electricity is scarce. They sell 200,000 a year in Mexico and Central America alone.

Wednesday, 18 April 2012

Evolution of typewriter


The Evolution of the Typewriter  http://www.chevroncars.com/learn/history/the-evolution-of-the-typewriter

Old Typewriter
Kids today may go through life without ever seeing it. Yet without the typewriter, there would be no computer as we know it. The typewriter is the primate ancestor to the personal computer that we have made part of our lives. Did you ever wonder why computer keyboards have the strange layout that they have, with the QWERTY keys across the top left? The answer lies buried in decisions made more than a hundred years ago, when the typewriter first appeared on the plains of industry.
The typewriter is to the printing press much like the personal computer is to the mainframe computer. The European version of the printing press, known as the Gutenberg press, was first developed in the 15th century. It enabled books to be printed rapidly, and helped promote the spread of literacy (and religion) throughout the world. A personal printing press, or “type writer,” used by a single person to print a legible document dates to the early 18th century.
Old TypewriterSome of the forces spurring the development of a typewriter had to do with giving the blind the ability to write. An Italian is said to have built the first working typewriter for a blind Countess in 1808. Soon thereafter, a patent was issued for a machine where each letter was selected with a dial. It was neater, but even more cumbersome than writing. Many early typewriters resembled pin-cushions, with a forest of keys on a metal “typing ball” used to punch letters on a piece of paper hidden from the typist.
The need for speed and automation were driving forces in the further development of typewriters. So was the enthusiasm of early adopters. One of these was Mark Twain, who wrote to his brother in 1875:
“The machine has several virtues. I believe it will print faster than I can write. One may lean back in his chair & work it. It piles an awful stack of words on one page. It don’t muss [mess] things or scatter ink blots around. Of course it saves paper.”
Twain may have been trying out a Sholes and Gidden Typewriter, the brand name which gave us the generic term for the product. The Sholes also introduced the QWERTY keyboard. The placement of letters in this odd way was intended to prevent frequently struck keys from colliding; thus the E was next to the W and so on. As people became ever faster typists, this was an important consideration. The QWERTY keyboard also became popular because it was the first keyboard. Typewriter manufacturers that followed wanted to copy success.
The Sholes was actually bought and manufactured by E. Remington & Sons, a major industrial manufacturer already known for its guns and another industrial product that was changing the world - the sewing machine. Both products required the same machining and manufacturing skills that mass production of typewriters would require. Early Remington typewriters borrowed concepts from the sewing machine, like carriage returns by foot pedal!
The late 19th century saw continued product improvements. These included the carriage return, the self-rewinding ink ribbon, the shift key to distinguish between capital and small letters, and the ability to see what you were typing.
Electric TypewriterThe electric typewriter was conceived early in the typewriter development process. The first models appeared around the turn of the century, but they were not successful. It was not until the 1930s, when electricity was more common and IBM took over an early manufacturer, that the electric typewriter began to capture real market share. By the 1960s these machines had become ubiquitous in the corporate office. In a way, they marked a return to the original pin cushion style typewriter. A rotating ball with the keys on it was used to place the ink on paper. These balls were easy to replace. however, the electric typewriter like the manual typewriter was far from silent. The sound of keys hitting ribbon, paper and backing were one of the most memorable by-products of the age of the typewriter, the soundtrack to life in the office.
Electric Typewriter
This age came to an end - or one could say further evolved - with the coming of the personal computer. The electric became electronic, the physical became digital. A set of typewriter keys are pressed, but what is now recorded are bits and bytes that are saved on discs of all sorts, transmitted over great distances - and much easier than ever to correct. More recently, even the keyboard has become digital on mobile phones, as in the image above. Little did its inventors know where their keyboard would one day be found.
Typewriter on deskWhat has not changed, however, is the situation we face when trying to write something. A nice lamp, a comfortable chair in front of a table or desk are as desirable now as yesterday. Whether typewriter or laptop, the human challenge is the same - putting thoughts into words for someone else to read. Without literacy, there would be no type, real or digital.

How typewriters changed peoples lives


Website: http://objectofhistory.org/guide/changes/

Looking at Artifacts, Thinking about History

By Steven Lubar and Kathleen Kendrick

Artifacts reflect changes

Times change; history is the story of those changes. An artifact, or a collection of artifacts, can reflect change over time. Artifacts change as our society and culture change; artifacts nudge these changes along; and artifacts themselves change over time. Artifacts reflect changes, and sometimes cause change. They allow us opportunities to consider how and why society and culture change over time.
Think about some of the changes reflected by this typewriter, manufactured by E. Remington & Sons around 1875. It tells a story of innovations in technology and manufacturing. The adoption of the typewriter, at just the same time that women began to work in offices, reflected changes in women's roles, new ideas about the organization of work, and the rapidly growing corporations of the day. In turn, the typewriter brought about and helped to accelerate social change, opening up new jobs for women in the office.
  • Changes in Business and the Workplace. The typewriter, by reducing the time and expense involved in creating documents, encouraged the spread of systematic management. It allowed a system of communications that shaped the business world. While the typewriter wasn't responsible for opening the office world to women—the shortage of men during the Civil War and the increasing division of labor and specialization of office work played a bigger role—it did encourage the feminization of office work. In 1870, there were very few women office workers. In 1890, there were nearly 45,000, and 64 percent of stenographers and typists were women.
  • Social Changes. In the 1880s, when the typewriter was first adopted in many offices, America was a country in the throes of rapid change. The way in which the typewriter was adopted reflected changes in women's roles, new ideas about the organization of work, and the rapidly growing corporations of the day. In turn, the typewriter opened up many new jobs for women in the office.
  • Changes in People's Lives. Though it took a while for the typewriter to catch on, it quickly changed the lives of those who used it. Many working-class women saw office jobs as an escape from the drudgery of factory jobs. Office work was a step up in the class structure, a cleaner, higher-paying job. One novel described the changes in the life of a young woman when she got her first job as a typist.
  • Invention, Innovation and Obsolescence. Dozens of inventors had tried to invent a workable writing machine, but it wasn't until 1872 that the right combination of a clever mechanism, manufacturing expertise, and a growing market allowed the typewriter to become a commercial success. Christopher Latham Sholes, a Milwaukee printer, editor, and government bureaucrat, received his first typewriter patent in 1868, and two more in the next few years. Many inventors devised improvements for the typewriter, from the shift key in 1878 to the electric typewriter in 1920. In all, several thousand typewriter patents were granted. But by the 1980s, the typewriter had begun to disappear, overcome at first by the word processor and then by the personal computer, which could do everything the typewriter could do and much more.
  • Changes in Manufacturing. Christopher Sholes was unable to raise the money, successfully organize a factory, or find the skilled labor to produce his typewriter invention cheaply and in volume. In 1873 he sold his patent rights to E. Remington and Sons, manufacturers of guns and sewing machines, who had the technological skills to develop and manufacture the machines. The typewriter has numerous small precision parts. To make the machine cheaply enough to reach a large market, it had to be mass-produced. Remington and others soon developed ways to apply existing technology and techniques, including the "interchangeable parts" system, to the manufacture of the typewriter.

Friday, 16 March 2012

Hot New medium Essay


Essay "Hot New Medium" by Paul Saffo
Publised in "wired" magazing - September - october issue 1993
Littera scripta manet — the written word remains. Though it was recorded almost exactly two millenia ago, Horace’s maxim echoes a surprising fact lurking in today’s digital revolution. An ever-growing media palette has failed to dislodge the centrality of the written word from our lives. We talk endlessly about new techarcana like video and virtual reality, but the conversation orbits around the stuff of this page — text.
In fact, the written word doesn’t just remain; it is flourishing like kudzu vines at the heart of the digital revolution. The explosion of e-mail traffic on the Internet represents the largest boom in letter writing witnessed on the planet since 18th century England, when Samuel Johnson thought nothing of despatching a voluminous epistle to a friend next door. Today’s cutting-edge infonauts are far more profligate epistomaniacs than Johnson, flooding cyberspace with gigabyte upon gigabyte of ascii musings.
But we hardly notice this textual explosion because, mercifully, it is largely paperless. Vague clouds of electrons to’ing and fro’ing over the Net have replaced crushed trees lugged by postal couriers. This has spared our landfills, but it has also obscured a critical media shift. Words and text have been decoupled from their parent medium, paper. Like the stuff of Horace’s affection, text is still comprised of twenty-six letters, but freed from the entombing, distancing oppression of paper, it has become as novel as the hottest new media.
In fact, our electronic novelties are transforming the word as profoundly as the printing press did half a millennium ago. For starters, we are smashing arbitrary print-centric boundaries among author, editor and audience. These categories did not exist before the invention of moveable type, and they will not survive this decade. Just as monk scriveners at once wrote, edited and read, information surfers browsing online services today routinely play all three roles, selectively scanning, absorbing, editing and creating on the fly in real time. The printing press gave life and reach to the word, but at the terrible cost of creating an artificial separation between author and reader, making text formal and immutable. Printed words became as immobile as flies in amber, and readers knew that they could look, but not change. This separation would have startled the monk scribblers who took their medieval quill-based interactivity for granted, and they would be heartened by the textual intimacy rekindled today by our new media.
Text has become a new medium that combines print’s fixity with a manuscript-like mutability. Flick a key and volumes of text disappear in virtual smoke, flick another and they are replicated over the Net at light-speed – countless copies are squirreled away in countless data vaults. It is a delicious irony that through its powers of replication, the most evanescent of electronic conduits — theNet — should also emerge as the most permanent repository for the word in human history. Severed from unreliable paper, text has become all but inextinguishable. E-mail passed between Oliver North and his Iran-Contra conspirators survived numerous attempts at expungement and now resides in the National Security Archives for all to inspect, even as historians lament that the switch to electronic media is depriving them of important research fodder. They needn’t worry; paper may be on the skids, but text is eternal.
Immortality may be the least of the surprises that this new medium of electronic text will deliver. Video enthusiasts are quick to argue that images are intrinsically more compelling than words, but they ignore a quality unique to text. While video is received by the eyes, text resonates in the mind. Text invites our minds to complete the word-based images it serves up, while video excludes such mental extensions. Until physical brain-to-machine links become a reality, text will offer the most direct of paths between the mind and the external world.
Video suffers from a deeper problem, one of ever-diminishing reliability in the face of ever more capable morphing technologies. By decade’s end, we will look back at 1992 and wonder how a video of police beating a citizen could move Los Angeles to riot. The age of camcorder innocence will evaporate as teenage morphers routinely manipulate the most prosaic of images into vivid, convincing fictions. Clever image hacks of advertisements and news footage will become a high art form. We will no longer trust our eyes when observing video-mediated reality, and will seek out external indicators of reliability. Text will emerge as a primary indicator of trustworthiness, and images will transit the Net as multimedia surrounded by a bodyguard of words, just as medieval scholars routinely added textual glosses in the margins of their tomes.
Of course words can be as false as images , but there is something to text that keeps our credulity at bay. Perhaps the intellectual labor required to decode words keeps us mentally alert, while visual stimuli encourage passivity. Studies conducted during the Gulf War hinted at such a possibility: researchers found that citizens who merely read about the war’s events in daily publications had a far better grasp of the issues than avid real-time TV news junkies.
Another proof of text’s persistence lies in its continuing power to move entire communities of readers. Salman Rushdie learned, to his regret, that a few brief passages tucked away in a 600-page book was sufficient to trigger a holy death sentence that keeps him in hiding to this day. Meanwhile, the moans and protestations of politically correct language zealots demonstrate that even in the hip nineties, words can hold all the power of a medieval incantation.
Proof of text’s persistence is everywhere. I encountered the strangest instance of electronically incarnate text in a Tibetan Buddhist institute located in Northern California. Inside its sanctuary were enormous prayer wheels filled with mantras printed in state-of-the-art microtype onto tightly rolled sheets of paper. My host explained that their motorized spinning spreads an aura of beneficial energy outward, and the more mantras the wheels contain, the bigger the benefit. Imagine the consequences when someone concludes that the Internet amounts to a globe-sized virtual prayer wheel, just waiting for the right virus to pack mantras into its interstices. It is just the sort of immortality that would please a good God-fearing Roman like Horace.